Composer: Ralph Vaughan Williams
- Folksongs for Schools
- The Turtle Dove
- 15 Folksongs from Newfoundland
Mary Bevan, soprano
Nicky Spence, tenor
Roderick Williams, baritone
William Vann, piano
Date: 2022
Label: Albion
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This volume completes Albion Records’s survey of Vaughan Williams’s respectful and often touchingly lyrical arrangements, all performed with character and artistry by these singers and above all the superbly sensitive pianism of their accompanist William Vann.
Some melodies are more familiar than others. ‘She’s like the swallow’ also appears in Britten’s final set of folksongs. Vaughan Williams’s arrangement, typical of his style, is more obviously beautiful, but rather lacks the intriguing qualities of Britten’s which – unlike the Vaughan Williams – was written to be performed as part of a complete set, and so provides more character in the melody’s accompaniment.
If this is an album best sampled in small doses rather than heard in one go, that’s no reflection at all on the singers involved: I particularly admire how tenor Nicky Spence holds attention through the eight minutes of ‘Lord Akeman’. My only other niggle is how similar baritone Roderick Williams’s voice is to Spence’s – their duo ‘Servant man and husbandman’ could do with a bit more vocal contrast, though, given the vivid personalities of these singers, this would be less of an issue if seen in a concert rather than heard on disc. In all, though, a pleasant listen which Vaughan Williams fans should have no hesitation in snapping up.
-- Daniel Jaffé, BBC Music Magazine
More reviews:
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Ralph Vaughan Williams (12 October 1872 – 26 August 1958) was an English composer. His compositional teachers included Hubert Parry and Charles Villiers Stanford at the Royal College of Music in London, Max Bruch in Berlin, and Maurice Ravel in Paris. Vaughan Williams' works include operas, ballets, chamber music, secular and religious vocal pieces and orchestral compositions including nine symphonies, written over sixty years. Strongly influenced by Tudor music and English folk-song, his output marked a decisive break in British music from its German-dominated style of the 19th century.
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