Various Composers - Piano Themes from Cinema's Golden Age (Valentina Lisitsa)

Information

1. Richard Addinsell - Warsaw Concerto (from Dangerous Moonlight)
2. Richard Rodney Bennett - Murder on the Orient Express (from Murder on the Orient Express)
3. Dmitri Shostakovich - Assault on Beautiful Gorky (From The Unforgettable Year 1919)
4. Charles Williams - Jealous Lover (from The Apartment)
5. Nino Rota - The Legend of the Glass Mountain (from The Glass Mountain)
6. Robert Farnon - Seashore (from Player's TV advert)
7. Richard Addinsell - Invocation (from Journey To Romance)
8. Kenneth Leslie-Smith - The Mansell Concerto (from The Women's Angle)
9. Hubert Bath - Cornish Rhapsody (from Love Story / A Lady Surrenders)
10. Jack Beaver - Portrait of Isla (from The Case of the Frightened Lady)
11. Dave Grusin - New Hampshire Hornpipe (from On Golden Pond)
12. Leighton Lucas - Stage Fright Rhapsody (from Stage Fright)
13. Leslie Bridgewater - Legend of Lancelot (from Train Oof Events)
14. Charles Williams - The Dream of Olwen (from While I Live)
15. Carl Davis - Pride and Prejudice (from Pride and Prejudice)

Valentina Lisitsa, piano

BBC Concert Orchestra

Gavin Sutherland & Christopher Warren-Green, conductors

Date: 2016

Label: Decca

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Review

Film music is a reliable audience pleaser for orchestras, and people never seem to tire of the great themes that slumber in the soundtracks of so many half-forgotten films. Since its early role as accompaniment to films, the piano has receded into more of a concerto relationship with orchestral film music. Still, many a good theme falls to the keyboard, and Love Story, Piano Themes from Cinema’s Golden Age (Decca 4789454) collects some of film’s most beautiful music for this instrumental combination.

The screen seems to require composers to write in a way that gives immediate access to emotion and drama. Valentina Lisitsa, whose controversial public stance on the turmoil in Ukraine compelled the Toronto Symphony to cancel her 2015 concerts, appears on this disc as the pianist. Her performance of these screen works with the BBC Concert Orchestra is superb. She brings all the requisite concert technique and expression to the service of the score. It’s all intensely Romantic and very lush, graphic music. You can almost smell the popcorn.

There’s a surprisingly conservative Classic/Romantic tradition to these scores. Richard Adinsell’s Warsaw Concerto is the best example of this. Hubert Bath’s Cornish Rhapsody from Love Story (1944) sounds remarkably like Rachmaninoff, while Nino Rota reveals his own voice in The Legend of Glass Mountain (1949). A delightfully unusual track is Dave Grusin’s New Hampshire Hornpipe from On Golden Pond (1981). Here Lisitsa, without orchestra, creates the convincing atmosphere of an early New England folk dance.

The title music from the 1985 TV series Pride and Prejudice, with its period feel, is an artful work by composer Carl Davis. Lisitsa takes her solo moments in this as though they were short solos in Mozart piano concertos. Pure delight.

— Alex Baran

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Valentina Lisitsa (born 1973) is a Ukrainian-American pianist. Born in Kiev, Ukrainian SSR, she attended the Lysenko music school and the Kiev Conservatory, where she studied under Ludmilla Tsvierko. In 1991 Lisitsa and her future husband moved to the United States to further their careers as concert pianists. Lisitsa independently launched her career on social media, without initially signing with a tour promoter or record company. By 2012, she was among the most frequently viewed pianists on YouTube. Lisitsa has recorded for Decca, Naïve, Audiofon, CiscoMusic, VAI, and her own label QOR.

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