Giovanni Sgambati - Requiem (Ulrich Walddörfer)

Information

Composer: Giovanni Sgambati

• Messa da Requiem, Op. 38

Jörn Wilsing, baritone

Philharmonischer Chor Heilbronn

Staatsorchester Stuttgart

Ulrich Walddörfer, conductor

Date: 1991

Label: Carus

-----------------------------------------------------------

Review

An Italian grand requiem written around the axle of the 19th and 20th centuries might almost be predictable. It will be operatic. It will doff the hat to Verdi. It will have its vulgar moments. It will be recorded by an Italian orchestra on an Italian label like Dynamic, Bongiovanni, Aura or Nuova Era. Wrong, in this case, on most counts.

Sgambati was born in Rome, the son of a lawyer and his English wife. Liszt discovered the musically gifted Sgambati but later Wagner also took up his case. There is a piano concerto (1878-80), two overtures and two symphonies of which the first is from 1880. There is also a selection of chamber works including two piano quintets and string quartet. There were no operatic escapades - unusual for an Italian composer of that era.

The Mass is believed to have been written on the death of Vittorio Emmanuele II in 1895 then revised on the death of King Umberto I in 1901. Schotts published the work in 1906, 1908.

Quiet non-belligerent waves of sound surge and roll with the suave smoothness of plainchant. Latinate melodrama is a scarce commodity here. The work's determinedly modest approach reminded me of Josef Foerster's Missa Glagolytica. The colour wheel used by Sgambati is one of pastels - a requiem in aquatints with Elysian overtones as in track 3 where the effect is as if Finzi's Introit had met Fauré's Requiem. Indeed there is a prominent role for a solo violin in Olympian tones which refer back to the Beethoven violin concerto in both the Offertorio and the Agnus Dei (tr.6).

There is, of course, drama as well; we hear this in the Dies Irae (tr.2) where the music seems to stream flames. The Dies Irae is quoted. At this point and in the finale the work echoes, in 19th century weeds, Franz Schmidt's work of the 1930s, The Book of the Seven Seals. It is as if one of Dürer's apocalyptic engravings had sprung to life with the horsemen abroad in the land. In the thudding punched out Osanna in excelsis of the Sanctus (tr.4) we hear more of that dramatic element. It surfaces again in the Libera me (tr.7) where, after the sunless sea of the opening pages, there are blurting fruity trombones and a grunting tuba. The choral writing with its swingingly positive tone at this point calls up memories of Paul Paray's St Joan Mass. Apart from the baritone's insistence on singing lux perpitua rather than the correct lux perpetua his role is carried off with rasp and sonority.

This Choir give an annual concert in the church of St Kilian, Heilbronn to remember the destruction of Heilbronn on 4 December 1944. The Sgambati is in the choir's tradition having been sung by them in 1956 and 1959 conducted by Dr Ernst Mueller. The present recording was made after the success of their revival of the work in 1988.

This is commendable revival. A requiem in which the Fauré-like reticence of plainchant meets the drama of apocalyptic visions.

— Rob Barnett

-----------------------------------------------------------

Giovanni Sgambati (28 May 1841 – 14 December 1914) was an Italian pianist, conductor and composer. A student of Franz Liszt, he helped introduce German composers like Beethoven and Liszt to Italian audiences, conducting landmark performances such as Beethoven's Eroica and Liszt's Dante Symphony. He founded an orchestra in Rome and co-established the Roman Society of the Quartet in 1867. Sgambati also promoted music education, helping found Rome's first public music school in 1876. His works include chamber music, piano pieces, songs, two symphonies, a piano concerto, and a Requiem Mass.

***

Ulrich Walddörfer (born 1951 in Göppingen) is a German conductor and music educator. He pursued music education, church music and conducting at institutions in Stuttgart, Berlin and Salzburg. After passing his final artistic examination in 1980, he worked as a répétiteur and conductor at Hagen Municipal Theater and premiered several operas. Since 1986, he has led the Heilbronn Philharmonic Choir and recorded rare works like Sgambati's Messa da Requiem. He also directs the Stuttgarter Liederkranz and has toured internationally, conducting major choral and orchestral works across Europe, Asia and South America.

-----------------------------------------------------------