Alfredo Casella - La donna serpente; Partita (Francesco La Vecchia)

Information

Composer: Alfredo Casella

• Introduzione, aria e toccata, Op. 55
• Partita for piano and small orchestra, Op. 42
• La donna serpente, opera, Op. 50

Sun Hee You, piano

Orchestra Sinfonica di Roma

Francesco La Vecchia, conductor

Date: 2012

Label: Naxos

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Review

The composer that Casella most resembles in his chameleon-like musical personality is probably Martinu, and this is nowhere more true than in the Partita for piano and small orchestra. Scored for the distinctive combination of oboe, two clarinets, bass clarinet, three trumpets, timpani and strings, the work is an unalloyed delight. Listen to the end of the first movement recapitulation, and you’ll be hooked. Like Martinu’s Sinfonietta giocosa, the lightweight title in fact conceals a work of genuine substance, lasting (in this case) just over half an hour. The central Passacaglia (a form much exploited by Casella) is profoundly beautiful, and its evocative use of trills reveals that Casella learned a trick or two from the first Nachtmusik of Mahler’s Seventh, which he arranged for piano four-hands.

The Introduzione, aria e toccata again recalls (or foreshadows) Martinu–in this case the Toccata e due canzone. Like that piece, this is a substantial, at times brooding work brimming with memorable invention. The music’s stylized, neo-Baroque idiom couldn’t be farther removed from the nearly contemporary orchestral fragments from Casella’s only opera, La donna serpente (The Snake Woman), after a play by Gozzi. These “fragments” are actually pretty extensive, lasting a full half an hour, and if they pay homage to anyone I’d have to mention Rimsky-Korsakov. The Military March that ends the first suite evokes a fairytale atmosphere similar to that of The Golden Cockerel or Tsar Sultan, but there’s nothing Russian about the melodic material, which is completely personal.

This disc marks the conclusion of Naxos’ Casella series, and it has been a wonderful journey. As with the other discs, the performances are excellent. Sun Hee You does a wonderful job in the Partita, offering effortless virtuosity and an aptly light touch. There’s only one other recording available, featuring the very good Joshua Pierce, coupled to concertante works by Respighi and Rachmaninov, but conductor Franceso La Vecchia proves himself more imaginative an accompanist the Anton Nanut, and he also has the better orchestra and engineering. Casella truly was a great composer. The evidence on this disc is incontestable.

— David Hurwitz

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Alfredo Casella (25 July 1883 – 5 March 1947) was an Italian composer, pianist and conductor. He studied in Paris under Louis Diémer and Gabriel Fauré before returning to Italy in 1914 to teach at the Conservatorio Santa Cecilia in Rome. From 1927 to 1929, he served as principal conductor of the Boston Pops. Casella played a key role in reviving interest in Antonio Vivaldi's music, notably through organizing the 1939 Vivaldi Week. A major figure in the Neoclassical revival, his own compositions were deeply influenced by earlier Italian music. His notable works include La Giara, Paganiniana, and concertos for various instruments.

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Francesco La Vecchia (born 10 September 1954 in Rome) is an Italian conductor. He studied with his grandfather, began performing at age nine, and later led the Boccherini Quartet. At 23, he founded the Arts Academy of Rome and started his international recording career at 27. In 2002, he became artistic director and resident conductor of the Orchestra Sinfonica di Roma, leading it to international acclaim with tours across major global cities. La Vecchia has conducted in renowned venues such as Carnegie Hall and the Kennedy Center. He has recorded extensively, particularly for Naxos, Brilliant Classics and Sony.

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