Joachim Raff - Works for Violin and Orchestra (Tobias Ringborg)

Information

Composer: Joachim Raff

• La fée d’amour, morceau caractéristique de concert, Op. 67
• Suite for Solo Violin and Orchestra, Op. 180
• Violin Concerto No. 1 in B minor, Op. 161 (ed. Nordstern)

Tobias Ringborg, violin

Norrlands Opera Symphony Orchestra

Andrea Quinn, conductor

Date: 2008

Label: Sterling

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Review

Raff's vast musical legacy continues to be unfolded and this disc is the latest revelation. Its unifying element is the specification of violin solo with orchestra. 

We start with La fée d'amour. It's a three movement piece with the delicacy of Berlioz, the dash of Lalo and the romantic fluency of Saint-Saëns’ concert-pieces. Ringborg is kept constantly engaged sustaining the fire-hose pressure of trhe composer’s romantic fleuve. The work has the air of the much later Glazunov Violin Concerto with ardour cooling for the Bruch-style central episode. It is stepped up again in a flutter of Massenet and Tchaikovsky in the final silvery-iridescent Vivace. 

The Suite for violin and orchestra is in five baroque-titled movements. The titles may be baroque but there is little of the neo-baroque in this. Raff's spectacles are firmly romantic era although he does peer over them for the Minuetto and the Aria both of which have a slightly stronger flavour of the baroque era. The final moto perpetuo  looks towards Leipzig and Mendelssohn’s violin concerto and octet, to Lange-Muller and further forward to Sibelius's Humoresques. 

Raff wrote sixteen works for solo violin between 1853 and 1882. Of these four were full concertos written variously for Sarasate, David, Vieuxtemps and Joachim. The singing of the 1870 First Concerto op. 161 is irresistibly bound up with the concertos by Bruch and Tchaikovsky. The pressure on the soloist rarely lets up. Ringborg with his saturated fleshy tone squares up to the challenge and does so with affirmative success. It is interesting to note one or two pre-echoes of the Elgar concerto as well. Only the allegro trionfale strikes a false note in its triumphant Imperial pomp.

For years the First Concerto was known only in the version by August Wilhelmj. The present recording uses Raff's only original edition rescued by chance by the Sibley Library at the Eastman School of Music. 

All three of these rare works are luminously recorded and performed and as usual they are spectacularly well documented. Don't hesitate if your taste is for the romantic violin concerto in the heritage of Bruch, Mendelssohn and Tchaikovsky.

 

— Rob Barnett

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Joachim Raff (27 May 1822 —  24 or 25 June 1882) was a German composer and teacher who was greatly celebrated in his lifetime but nearly forgotten by the late 20th century. Initially a self-taught musician, he was influenced by Mendelssohn and Schumann before aligning with Liszt and Wagner's "New German School". He served as Liszt's assistant in Weimar and later taught piano in Wiesbaden. From 1877, he directed the Hoch Conservatory in Frankfurt. A prolific composer, Raff wrote 11 symphonies, concertos, operas, choral, chamber and piano music. Many of these works are now commercially recorded.

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Tobias Ringborg (born 2 November 1973 in Stockholm) is a Swedish violinist and conductor. He graduated from the Royal University College of Music in Stockholm, then furthered his studies with teachers such as Herman Krebbers, Igor Oistrakh and Lewis Kaplan at the Juilliard School. Ringborg has performed with all major Swedish orchestras and collaborated with esteemed conductors such as Gennady Rozhdestvensky and Neeme Järvi. In 2001 he made his debut as a conductor at Folkoperan, Stockholm. A passionate advocate for Swedish music, Ringborg has recorded many works by Swedish composers.

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