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Monday, January 13, 2025

Arthur Honegger - Le Dit des Jeux du Monde; Concerto da camera (Arturo Tamayo)


Information

Composer: Arthur Honegger
  • Le Dit des Jeux du Monde
  • Concerto da camera

Étienne Plasman, piano
Nicolas Chalvin, cor anglais
Orchestre Philharmonique du Luxembourg
Arturo Tamayo, conductor

Date: 1999
Label: Timpani

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Review

The door of Honegger’s Paris studio bore the message ‘Do not disturb’ in more than 50 languages. After the Second World War a heart attack added a certain bitterness to this serious outlook, epitomised in the bleakness of the Fifth Symphony. The Concerto da camera of 1948, on the other hand, has always been one of his most popular works, and here it sings and sparkles most engagingly, with flute and cor anglais soloists well forward and the string orchestra making the most of Honegger’s varied textures.

Thirty years earlier Honegger had just been finishing his studies at the Paris Conservatoire when he was commissioned to write music for an evening’s entertainment – as Harry Halbreich says in his authoritative insert-note, ‘neither ballet nor musical theatre, nor audiovisual poem, but something of a mixture of all three’. Le dit des jeux du monde caused one of those splendid Parisian scandals at its premiere in December 1918, with fisticuffs and exchanges of cards, but more on account of the incomprehensibility of the story-line, sets and costumes. Happily, here we can concentrate on Honegger’s 45-minute score, and an astonishing achievement it is for a student, albeit a mature one. Already the seriousness is in evidence, and already he is a master of the long, shapely tunes, the gritty harmonies and the teasing syntax we know from works like the Third Symphony. There are a few ugly tape cuts at the ends of movements (notably Nos 3 and 7), but otherwise this recording is wholly recommendable and helps explain why, a few months after failing his Conservatoire counterpoint exam, Honegger was asked to write songs, incidental music, an opera and three ballets.

-- Roger Nichols

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Arthur Honegger (10 March 1892 – 27 November 1955) was a Swiss composer who spent most of his life in France. He studied at the Zürich Conservatory and after 1912 at the Paris Conservatory. After World War I he was associated with a group of young composers known as "Les Six". Honegger was a prolific composer and made notable contributions to opera, ballet, orchestral, choral, chamber and film music. His music is written in a bold and uninhibited musical idiom that combines the harmonic innovations of the French avant-garde with the large forms and massed sonorities of the German tradition.

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Arturo Tamayo (born 3 August 1946) is a Spanish conductor and music teacher. Born in Madrid, he studied music at the Madrid Royal Conservatory, then in Basel with Pierre Boulez and in Vienna with Witold Rowicki. He also studied composition at the Freiburg Musikhochschule. Tamayo divides his activities as a conductor between the concert hall and the opera house, in a repertoire ranging from the Baroque to the contemporary. He has regularly conducted throughout Europe, America and Japan, and appeared at a number of major opera houses. Tamayo has recorded for DG, Capriccio, Claves, BIS, Timpani, and several other labels.

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