Composer: Frank Bridge
- Enter Spring, rhapsody
- Isabella, symphonic poem after John Keats
- 2 Poems for Orchestra: 1. Andante moderato e semplice
- 2 Poems for Orchestra: 2. Allegro con brio
- Mid of the Night, symphonic poem
BBC National Orchestra of Wales
Richard Hickox, conductor
Date: 2001
Label: Chandos
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Having lavished such sensitive and heartfelt advocacy on Edmund Rubbra‚ Richard Hickox and his admirable BBC National Orchestra of Wales now turn their attention to the output of another largely unsung‚ homegrown master‚ Frank Bridge (18791941). Especially valuable here is the passionate‚ scrupulously prepared rendering of Isabella‚ a redblooded tonepoem very much in the Liszt/Tchaikovsky mould premièred in October 1907 under Sir Henry Wood. Truth to tell‚ I’d forgotten just what a strong piece this is (that ravishing oboe melody representing the eponymous heroine will haunt you for days‚ I promise)‚ and Hickox does it absolutely proud. He also extracts every ounce of eloquence from Mid of the Night (completed in October 1903 and first conducted by the 24yearold composer the following May). According to annotator Paul Hindmarsh‚ Hickox’s is only the second performance ever of this fascinating discovery‚ a colourful and atmospheric 26minute essay whose architectural and technical assurance is perhaps not quite matched by a comparable melodic distinction. The pleasures continue with the delectably resourceful Two Poems of 1915‚ the subtle halflights and penetrating harmonic scope of the first (to my mind‚ one of the most raptly poignant evocations of nature in all British music) forming a vivid contrast with the joyous clangour and contrapuntal ingenuity of the succeeding scherzo. I have long loved this exquisite diptych‚ and the present affectionate account makes a welcome digital successor to Nicholas Braithwaite’s Lyrita version (1/80 – nla‚ still awaiting transfer to CD). As for the exuberant‚ utterly intoxicating masterpiece that is Enter Spring‚ Hickox’s polished‚ vigorous and brighteyed conception leaves perhaps an eversoslightly literal‚ swaggerfree impression by the side of Britten’s riveting interpretation with the New Philharmonia from the 1967 Aldeburgh Festival. Moreover‚ in this same item‚ the last degree of transparency occasionally remains elusive in Chandos’s otherwise characteristically ripe and realistic soundpicture: to cite one example‚ I’d have liked to hear more of the suspended cymbal and bass drum during the climactic statement of the big central processional from fig 30 (11'59"). Tiny quibbles aside‚ this is a very good disc indeed – a fine start to an important project. Further helpings are eagerly awaited.
-- Gramophone
More reviews:
ClassicsToday ARTISTIC QUALITY: 9 / SOUND QUALITY: 7
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Frank Bridge (26 February 1879 – 10 January 1941) was an English composer, violist and conductor. He studied at the Royal College of Music under Charles Villiers Stanford and played in a number of string quartets, before devoting himself to composition. Being a strong pacifist, Bridge was deeply disturbed by the First World War, and his works during the war and immediately afterwards appeared to search for spiritual consolation. As a teacher, Bridge privately taught Benjamin Britten, who later championed his teacher's music and paid homage to him in the Variations on a Theme of Frank Bridge (1937).
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Richard Hickox (5 March 1948 – 23 November 2008) was an English conductor of choral, orchestral and operatic music. He studied at the Royal Academy of Music in London, then was an organ scholar at Queens' College, Cambridge. Hickox founded the City of London Sinfonia, as well as the Richard Hickox Singers and Orchestra, in 1971. He was Chorus Director of the London Symphony Chorus (1976 to 1991), Artistic Director of the Northern Sinfonia (1982 to 1990), Principal Conductor of the BBC National Orchestra of Wales (2000 to 2006), and Music Director of Opera Australia (2005 to 2008).
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