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Saturday, June 29, 2024

Pancho Vladigerov - Orchestral Works, Vol. 1 (Alexander Vladigerov)


Information

Composer: Pancho Vladigerov
  • Symphony No. 1 in D minor, Op. 33
  • Concert Overture, Op. 27 'Earth'
  • The Ninth of September Heroic Overture, Op. 45
  • Autumn Elegy, Op. 15 No. 2
  • Symphony No. 2 in B flat major, Op. 44 'May'

Bulgarian National Radio Symphony Orchestra
Alexander Vladigerov, conductor

Date: 2020
Label: Capriccio

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Review

Hardly a prophet without honour in his own country, Pancho Vladigerov (1899-1979) remains little heard outside Bulgaria, despite building a reputation in Berlin and Vienna between the wars. All credit, then, to Capriccio for releasing these keynote recordings as part of an edition (the five piano concertos were issued in September) which will eventually amount to 18 CDs.

Written at the time Bulgaria was coerced into siding with the Axis powers, Vladigerov’s First Symphony (1940) recalls Soviet works from this era. Outer movements feature introductions that are not a little portentous, then sonata designs that juxtapose rather than integrate contrasting themes – on the way, in the finale, to a triumphal if overbearing apotheosis. The Scherzo has energy and charm that recalls the composer’s folk-inflected dances, but the Adagio proves the highlight in its eloquent languor. Finer is the Second Symphony (1948), its subtitle referring to the Day of Youth marked in communist nations but otherwise free of polemic; the scoring for strings imparts a lustre but also astringency to music whose affirmation is never contrived. A winsomely elegant slow movement and the suave waltz that follows are the highlights.

Akin to tone poems in their discursive progress, the Concert Overture (1933) is a declaration of intent on Vladigerov’s homecoming that explains its Earth subtitle, while the Heroic Overture (1949) bears the inscription ‘9th September’ to mark the Soviet ‘liberation’ in vivid while not unduly hubristic terms. Autumn Elegy (1922/37) confirms his poetic and ruminative side as also his most personal. Directed by the composer’s son Alexander, the playing of the Bulgarian National Radio Symphony has unfailing energy and flair, with the cinematic scope and immediacy of these 1970s recordings conveyed in full measure by the remastering. Those who are partial to Glière and Khachaturian will enjoy Vladigerov’s engagingly OTT music.

-- Richard Whitehouse, Gramophone


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Pancho Vladigerov (13 March 1899 – 8 September 1978) was a Bulgarian composer, pedagogue and pianist. He is arguably the most influential Bulgarian composer of all time, and was one of the first to successfully combine Bulgarian folk music and classical music. Vladigerov marked the beginning of a number of genres in Bulgarian music, including violin sonata and piano trio. He was also a very respected pedagogue; his students include practically all notable Bulgarian composers of the next generation, such as Alexander Raichev, Alexander Yossifov, Stefan Remenkov, and many others, as well as the pianist Alexis Weissenberg.

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Alexander Vladigerov (1933-1993) was the son of the great Bulgarian composer Pancho Vladigerov. He graduated from the Bulgarian State Conservatoire in 1956, then specialized for two years with Natan Rakhlin, chief conductor of the Kiev Philharmonic. From 1958 he worked as conductor of the Pleven, Plovdiv and Ruse Philharmonics, and as conductor of the Bulgarian National Radio Symphony Orchestra (from 1969 until his death). Alexander Vladigerov was a guest conductor in many countries of Europe, Japan and Cuba. He has made numerous performances and recordings of music by Pancho Vladigerov

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